Back in the BP (Before Pandemic) several of my writing friends and I used to get together once or twice a week to write. We’d meet in a coffee shop or some other public place and set an egg timer for 45 minutes or so. And then we’d write. And write. No talking. Just...
Madeline Smoot
There’s no such thing as a truly low stakes book.
I recently came across the idea of Low Stakes Fiction. These are books where what’s at stake isn’t saving the whole world or even saving the town. These are stories where the stakes are more personal. I feel like Romance novels often fall in this category. Many...
If you want to write, read.
I did not grow up wanting to be a writer. I don’t have any of those cute journals from when I was a kid. My parents didn’t save any sweet little books I made about my stuffed animals—because I never made any. I got a marketing degree in college because in the business...
When Writing Feels So ALONE
I love watching DIY home-improvement shows. Watching someone demo a wall or grout tile or reorganize a closet is Madeline catnip. In my free time I rearrange my furniture, wallpaper the odd wall, and reorganize my own closets for fun. (I have an odd idea of fun.)...
Perfect Scene Pacing
I spend a lot of time talking about Perfect Pacing when it comes to the overall work, but scene pacing is incredibly important too. This is the rate that your scene progresses. Some scenes we want to be fast; others slow, even languid. It just depends on what’s...
7 Secret Keys to What Publishers Really Want
It’s the mystery that keeps authors up at night: What do publishers really want in a middle grade or YA? Well, seven things. AUDIENCEThey want a manuscript that takes into account the DUAL NATURE of the audience. When it comes to children’s novels, you’re writing for...
Restricted Realism
Novels, even fantasies and science fiction, need to be realistic. There have to be things the reader relates to in order to connect with the story. Something has to ground them to the world you’re building, and realism does that. However, you can have too much of a...
Lessons Learned as a Bookseller
For many years, I spent most of my days in a bookstore. First for one year at Barnes & Noble, and later more years than I can remember at BookPeople in Austin. I have always believed that everyone in publishing from the author to the publisher would benefit from...
Double Duty
One of the best ways to know whether or not your scene is meant for your story is to consider whether or not it’s doing Double Duty. Double Duty is the concept that every scene needs to be doing at least 2 of the following 3...